Jo Watters-Pawlowski has a unique quality to her paintings. Born in Ghana in 1960 she studied at Worthing College of Art and Design in Sussex and Winchester School of Art in Hampshire, England from 1979 – 1983. From her studio in Sussex, during 1985-1994 she produced original, limited edition textiles for interiors, exhibiting in London she gained commissions worldwide.
Her transition from fabric to canvas evolved naturally and has enabled Jo to develop her creative skills using an alternative medium.
Her pictorial vocabulary was from the outset distinctive, a form of abstaction arranged to represent personal images and sounds. As a colourist, her work contextualises colour with movement, allowing the observer to explore their own emotions. Jo’s paintings are usually formed by a gradual build-up of successive layers of paint, a process that allows selecting areas of the painting to be masked and later, peeled back to expose colour and shape beneath*.
Jo Watters-Pawlowski is pleased to accept commissions or provide further information. Contact can be made through Micaela and Sue at La Grande Maison d’Arthenay or by email to email@example.com
Biography of paintings: (Indigo), Red, Purple, Orange, Pink and Brown
A series of six small paintings resulted from a larger painting entitled Metamorphosis. The original painting was based on the classical instumental music composition ‘Metamorphosen’ written in 1945 by Richard Strauss (1864-1949).
In 2004 Herbie Flowers, musician, original member of the band Sky and famous fo the base line in Lou Reed’s ‘Walk on the Wild Side’ commissioned me to create a painting based on this classical piece. Initially, visually interpreting the compostion was difficult, as I stuggled to bond with the music emotionally. A turbulent process ensued before I could finally complete the commission. Stauss had composed the piece for twenty-three strings and it was documented that various conductors had difficulty in interpreting the original score.
Certainly this group of paintings enabled me to extend my emtions towards the music. By identifying the aspects of sound and instrument in separate sequences. I was able to communicate feelings in moods of colour. The process helped me to understand and learn about the power behind Metamorphosen.
You now have the rare opportunity to view this collection at La Grande Maison. Those of you who have stayed before will already recognise Jo's work from the magnificent 'Blue' abstract displayed in the Great Hall. Now you have opportunity to own one yourself. Price on application.
* Photo above shows Jo with Micaela collecting the paintings from Jo's Sussex Studio.